There is nothing more memorable on a warm summer Sun Valley night than live music in the mountains. This pastime has been elevated in recent years with top acts and bands performing under the sail of the outdoor Sun Valley Pavilion. As the sun dips behind the hills and evening’s shadows creep in, the acoustics in this theater transport the audience to a place far removed from life’s hustle and bustle and busy schedule.
Close your eyes and you'll swear it's John, George, Paul and Ringo when the Fab Four take the stage at the Sun Valley Pavilion July 5
If you’re a Beatles fan, be sure to mark your calendar (and get your tickets) for the July 5 show by the highly acclaimed Fab Four. This event, presented by the Sun Valley Opera, dares you not to sing along (in your head!) to some of the biggest hits of all time. The group, dubbed the ultimate Beatles tribute band is known for their precise attention to detail. Close your eyes. Enjoy the spot-on note-for-note renditions of the Beatles’ lasting hits, and you will truly believe you are listening to John, George, Ringo, and Paul.
The California-based Fab Four was founded in 1997 by John Lennon impersonator Ron McNeil. Today the group covers almost the entire Beatles songbook, as well as solo material. They have performed throughout California, Las Vegas, and around the world in Japan, Malaysia, France, Hong Kong, Great Britain, Germany, Mexico, and Brazil. Next stop? Idaho!
Other performances planned at the Pavilion this summer include a just-announced appearance by the one-and-only Los Lobos. This world famous band will rock the Pavilion on July 13. Known for No. 1 hits like La Bamba, this summer, the band celebrates the 20th anniversary re-release of their landmark Kiko album by Shout! Factory. Due for release on August 21, the album offers amazing new bonus tracks and a live DVD recording in addition to the original album. This legendary American quintet will surely rock the house.
The glorious Pavilion is home to the Sun Valley Summer Symphony, but is also a perfect venue for great concerts like the Fab Four, Los Lobos and the Doobie Brothers
On August 20, as part of the Killebrew-Thompson Memorial, benefiting leukemia and cancer research, the well-loved sounds of the Doobie Brothers will provide the sweetest summer soundtrack for a night at the Pavilion. These four-time Grammy Award winners have recorded some of the most enduring sounds of a generation – or two! They are still writing and recording new music, but promise to play their favorites in Sun Valley. Oh! Listen to the music!
Tickets to the Fab Four, as well as Los Lobos and the Doobie Brothers, are going fast so be sure to click HERE and get yours before they’re gone. All three shows promise to be anything but a Hard Day’s Night…
Enough bad song title puns … just be sure to get your tickets and plan on spending some of the best nights of the season surrounded by good friends, spectacular scenery and some pretty great music.
The magic happens beneath the sail of the Pavilion, but the views are still pretty magical -- even from inside
Cody and Willy Braun of Reckless Kelly, Idaho’s homegrown country music stars, play with their musical father and brothers on The Tonight show in 1993. The boys started their careers playing with the family band. Reckless Kelly come home to Sun Valley for one night only at the Sun Valley Pavilion, Friday, September 6. (Rewind the video to watch the whole interview). Video not displaying? Click here.
Cody Braun’s lonely harmonica introduces the strains of the final track on Reckless Kelly’s newest album, Long Night Moon. “There’s a river tumbling down the mountainside,” sings Willy Braun, the band’s lead singer/songwriter. “I can feel the north wind blow, through the trees and over to the other side, carrying me down to the valley below, when I’m on the road, bound for home, back to what I know, back to Idaho.”
Described by Willy as an “accidental traveling album,” Long Night Moon leads the listener through the band’s 17-year journey as a successful country rock band. That journey started in the mountains of Idaho under the “snow-capped peaks where I was born,” and, if the lyrics of the new album are anything to go by, is one that will end in the mountains they call home.
“About halfway through writing this record, I noticed that almost all of the songs I was writing, whether they were songs about the road, life, or love, had something to do with traveling,” said Willy. “It started as an accident and I decided to just go with it. Before we knew it, there was a definite theme.”
Despite living full-time in Austin, Texas, Willy wrote a large part of the album on his property in Mackay, just north of Sun Valley. Consequently Idaho permeates the lyrics, sometimes to the detriment of their adopted city. “Sleepless nights where the stars above are drowned out by the city lights,” Willy sings in the album’s title track (catch a preview here.). “And I wonder why I keep torturing my soul beneath this urban sky. But in my mind I’ll be home soon, surrounded by the winter, beneath the long night moon.”
Reckless Kelly’s music has always stood out for its honesty and real connection to the lives of its artists. Willy writes what he knows, he writes from his experiences. These are not songs by committee, intricately designed to please an increasingly fickle mass-audience, this is Red Dirt country, distinctly different from the polished, commercialized sounds coming out of Nashville today. While this may explain why the band hasn’t hit it truly big – yet; it also explains why Reckless Kelly fans are so passionate about the music – it’s authentic.
Reckless Kelly play in Sun Valley next month. Cody Braun, far left, and brother Willy Braun, front, were born in the Moritz hospital, a few feet away from the Sun Valley Pavilion where they'll be performing.
In anticipation of Reckless Kelly’s gig at the Sun Valley Pavilion on September 6, I got a chance to chat with big brother and vocals/fiddle/mandolin/harmonica man, Cody Braun, about the new record, set for release September 3. The band’s 10th studio album, Long Night Moon was recorded at Cedar Creek Studios in Austin. An old farmhouse situated on 10 acres smack in the middle of South Austin, Cedar Creek provided the perfect setting for these country-boys turned city-dwellers to reflect on life, love, the open road and Facebook.
So there’s a song called Idaho on the album, there’s no hidden meaning in that one. It sounds like you are little homesick. Is there anything to that or does it just make for good lyrics? “No, I think definitely we miss it – we talk about it all the time. Even though we’ve been in Texas for 17 years now we’ve always called Idaho home. We visit a lot. All of my brothers have places up there now, I’m the last one to break, but I figure if they all have places why do I need one?”
As a whole, the album has a more mellow country feel than some of your previous efforts, the traveling theme Willy talks about particularly lends to that atmosphere. “This record really is a concept record, in that sense it’s about leaving home and getting out there a bit and then getting back home. It’s about the journey and everything in between. We spend so much time on the road – that’s our life – so that tends to take center stage in a lot of our music. It’s Willy writing about what he know and what’s going on in our lives at the time.”
Willy and Cody Braun, were both born in Sun Valley, along with their younger brothers Gary and Mickey, who have achieved considerable success with their own alt-county band Mickey and the Motorcars. The family grew up between Challis and Stanley in Custer County, spending much of their youth playing gigs with dad Muzzie Braun of Braun Brothers Fame, out at Sun Valley’s Trail Creek Cabin.
As soon as they were old enough, the two eldest brothers, Cody and Willy, took off to Oregon to start a band. After nine months in Bend they shifted paths, arriving in Austin in 1996 as a trio named Reckless Kelly. “We stole the name from Ned Kelly, an Australian bank robber,” Cody said. “‘They called him Reckless Kelly.’ We were in Oregon trying to figure out a name for the band and we were going to use that one for a couple shows and then find a really cool one. But it stuck.” Now known as an Oregon band they took the burgeoning Austin music scene by storm and today are considered a ‘true local success story’ in the city. But indisputably it’s Sun Valley that lays claim to the boys, after all they were born a few hundred feet away from where they will play next month, in the old Moritz Hospital, now staff housing for Sun Valley Resort.
Are you excited to be playing in the Sun Valley Pavilion? “It’ll be the first time I’ve been to the Pavilion. I’ve seen it from the road, the first time I saw it I thought ‘Wow, what a neat venue.’ We’re really excited, it’s always fun to come home and play anywhere, but to get to play such a beautiful venue is going to be really fun. We’ve got a cool show worked up for this summer, with nine records to choose from we’ve got a ton of material.”
No question it will be a great show, Reckless Kelly’s reputation as the Real McCoy when it comes to performing on stage is well-earned and with this gig coming just 3 days after the release of the new album, the boys will be excited to show off the new tunes to a real hometown audience. “We’re really exited about the new album, it was a really fun record to make, a lot of fun songs on it. It’s a little bit more mellow than some of the other records we’ve done in the past, but it’s got a lot of really cool vibes. I get to play some different stuff on it, including a tenor guitar – that was a lot of fun.”
Reckless Kelly has always been known for the honesty of its music, you clearly pour a lot of meaning and connection to your lives into your work. But with 2008′s Bulletproof, in particular American Blood, you dived head-first into the whole political/country music mele. It was a bit of a shock to some of your fans. How’d that go down? “Yeah – we got a little bit of backlash from American Blood. But we got a lot more positive than negative. Pennsylvania Avenue [a get-the-vote-out single released in September 2012] was a real-middle of the road kind of thing, it wasn’t one side or the other. But we’ve never really been afraid to go out there and talk about it. I’m personally not super political, none of the guys are, but Willy gets to a point sometimes when he’s sick and tried of writing about love gone wrong and wants to write about what’s happening around us. With the war overseas going on for 15 or so years now it’s hard not to be influenced by that.”
Reckless Kelly’s 2012 Pennsylvania Avenue Music Video. (Video not displaying? Click here.)
2011 saw Reckless Kelly’s first Grammy nomination, for Album Art. That must’ve been really exciting for you guys. “Yeah, that was awesome, and this record also has some really exciting art work. We got a bunch of surprises in store. A lot of stuff that ties the songs together with the art work. It’ll be fun to see people’s reactions to that.”
Can you give us some insight into what’s in store? “Well, certain parts of the record artwork will be glow in the dark, you’ll get a little LED black light that comes with the packaging so you can see all of the different stuff that’s hidden in glow-in-the-dark ink. There are also some hidden messages throughout the packaging. We’ll be giving fans clues as to how to find those on our website.”
Does this inventiveness with the CD packaging come from an impetus to get people to buy the physical media rather than download the music? Reckless Kelly has been through the heart of the digital music revolution, is this part of how you’re navigating that monumental shift? “Yeah, we’ve definitely embraced the digital thing, we’ve noticed that the digital sales have been up considerably. Every time we put out a record they go up 20 to 30%. Last year it was closer to 50%, so it’s definitely the new way people are getting music; you have to embrace it. But at the same time we’ve always really enjoyed making records that are a whole piece of art, art work included. It’s fun putting a whole record together and having it be interactive. We’re definitely kinda going crazy with this one, it’s going be really cool and I think people are going to like it.”
Another giant shift during your tenure in the ‘biz’ has been the advent of social media. As a brand, Reckless Kelly seems to have fully embraced social media, but as a songwriter it sounds like maybe Willy is not so keen. One track on Long Night Mooon is called Be My Friend (In Real Life), and takes a direct hit at the current Facebook and smartphone obsession. Do you all have iPhones? Is Willy always telling you to put them down? “We don’t leave home without them, we’re just as stuck as everybody else! That’s definitely my favorite song on the record, I think it’s a fun message, more of a reminder to people to just put it down. If you’re having dinner with your friends just have a conversation instead of checking whatever it is every 5 minutes. Again, it’s just what’s going on around us right now, it’s a fun tongue-in-cheek little song.”
Are you personally on social media? Do you do the whole Twitter and Facebook thing? “I do Facebook and Instagram, those are my two main deals. I have a Twitter account but I can never remember the password, and then when I do get on it’s like, I just had a cheeseburger, big deal. I can’t imagine anybody wanting to follow me through my daily routine.”
You’d be surprised… It’s amazing what people will gobble up. But social media has had a positive impact for the band? “Absolutely. It’s been wonderful. It’s a full-time job just updating and keeping up with everything. But we started our own label a couple years ago and as far as promoting the band you can do so much on your own now. You can get the word out that you have a new album or tour without spending any money. That was impossible years ago, we used to collect addresses from people and mail postcards. It’s a bummer that Facebook changed the way they’re doing stuff though, now they charge to reach all your fans so it’s not as effective as it used to be for us. We’ve got 160,000 followers, so for us to pay for an entire blast would be $10,000 or something stupid, it’s really crazy.”
The 2011 album Good Luck & True Love was the first release on your new label, No Big Deal Records, and you’re now self-managed. What was the impetus for such a big change? “This last record is our 10th and we just got to a point where we were at the end of a record deal. Instead of re-signing we sat down and talked about starting our own label; what it would entail, how much extra work it would be – it’s been quite a lot. The last record was a real learning curve, this one was easier on a lot of different fronts. It’s great, we’ve loved every second of it. We’ve learned a lot and we have total control, we don’t have to run anything by anybody or talk anybody into what we want to do. If you were to try and talk a label into the packaging we want to do on this record it would have been like pulling teeth. On the cover it says Reckless Kelly, but it doesn’t have the title of the record until you shine the light on it. No way would a record company have let us do that. And then when you have management that’s three other people you have to email and include and get their opinion. At the end of the day we’re going to do what we want to do anyway.”
It sounds like the move was less about reinvention and more about sticking to your roots. But there’s been a huge shift in the country genre since you first broke onto the scene, and mainstream country music is enjoying an unprecedented heyday. Where do you see Reckless Kelly fitting into today’s music scene? “I think we’re just going to keep doing what we’re doing, keep trying to build our fan base, doing the shows, touring the country, making records that we’re happy with, that we’re proud of and that hopefully people like. I don’t really see us trying to fit in with the Jason Aldeans and the Taylor Swifts at this point, we’re still quite a ways off from what they’re doing. We’ve done quite a few shows with country artists and the crowd just kind of looks at us and says ‘What’s going on? This ‘aint country music?!’ The country fans tend to not get it most of the time. But there are a lot of people out there that really like this music and the Americana genre. Another great thing about social media is that people looking for our style of music can find it a lot easier; find it, check it out and download it.”
Clearly, Reckless Kelly are more than comfortable in their own skin, happy being real artists rather than commercially manufactured superstars. But in today’s music industry where the fans quickly ferret out any whiff of inauthenticity and have a real voice in the conversation, it’s no stretch to predict that maybe, just maybe, there’s superstardom in their future. “We just carry on and enjoy what we’re doing, we’re really luck to get to play exactly what we want to play and set our own schedule. There’s not a lot of people that get to do what they love to do and do it totally on their own terms. If we can just keep building up a fan base and making a living doing what we’re doing then we’re going to be pretty happy.”
Details: Reckless Kelly take to the stage at the Sun Valley Pavilion on Friday, September 6. Doors open at 6.30 p.m. Show starts at 7:30 p.m. The band will be supported by The Trishas. Buy tickets here, priced $35 to $55.
It is a truth universally acknowledged that for a woman of almost any age, the piano riff at the beginning of Dancing Queen brings on an irresistible urge to become just that. And on Sunday, July 7, the Sun Valley Pavillion will be packed with dancing queens, jiving along to the timeless tunes of ABBA.
A night with The Music of ABBA: Arrival From Sweden is the closest any woman will ever get to an authentic ABBA concert; the original band dissolved in 1982, and only toured the USA once. But the infectious beats of the fab foursome are deeply embedded into the country’s pop culture, and this authentic tribute band are helping keep the music alive.
Creators of such enduring hits as Knowing Me, Knowing You, The Winner Takes It All, Mama Mia and Waterloo, ABBA was made up of two couples from Sweden, Agnetha Fältskog, Björn Ulvaeus, Benny Andersson and Anni-Frid Lyngstad. Formed in 1972, the group is one of the best-selling music artists of all time, having sold over 370 million albums and singles worldwide. In the mid-nineties their music saw a resurgence, thanks to hit movies such as Muriel’s Wedding and Priscilla Queen of the Desert, and combined with the debut of Mama Mia the Musical (today the 10th longest running broadway show in history), a slew of ABBA tribute bands were born.
In 1995, Vicky Zetterberg saw one of those bands in her hometown of Gothenburg, Sweden. “They were from Australia” she said. “They were awful.” Having seen the real thing herself, 5 times, she determined to start her own tribute band and do it right. “I said, ‘Oh, my God, this is crazy. You can’t do ABBA like that, with fake Swedish accents,” she said in her thick, authentic Swedish accent. “And I decided to do a proper ABBA show.”
A professional singer, Zetterberg reached out to original band members Bjorn and Benny, as well as working with ABBA’s costumier Owe Sandstrom, to create the perfect tribute band. Eighteen years later, ARRIVAL has become a world-famous musical act, touring in over 35 countries to consistently sold out crowds.
ARRIVAL arrive in Sun Valley on Sunday, July 7. Get your dancing shoes on!
Zetterberg, with her mane of brown hair, assumes the role of “Anni-Frid” and Jeanette Norlander is “Agnetha,” while Fredik Bjorns is “Bjorn” and Leif Olsson is “Benny.” The group also regularly tours with several of ABBA’s original musicians and wears ABBA costumes specially created by Sandstrom for ARRIVAL.
Had you always been a hardcore ABBA fan or was this more of an opportunity that you decided to seize? Vicky Zetterberg: I’d admired the way they did the music and I admired the way they sung. I’m a singer, my mother was an opera singer, and I’ve always admired ABBA. It’s a special technique they use, one which is really hard to do.
Was your mother an inspiration for your career as a singer? VZ: She wanted me to sing opera, but I wasn’t really interested in it. Actually, I wanted to be a hard rock singer. I went to show school in Gothenburg and my teacher said ‘No, no. You will never be a hard rock singer. You’re a typical ABBA singer. He was right.
What can the Sun Valley audience expect from the concert? VZ: We don’t go on and think that we are ABBA. We talk about ABBA, but when we’re doing the songs we try to recreate ABBA. We have the same look, the clothes we have are exact copies of the original outfits ABBA wore. ABBA was 50 percent music, but it was also the show and the clothes, it was the whole package. We also tell the story of ABBA, so they get a real ABBA injection. We want to show the new generation how ABBA was. You know everything about The Beatles, you know everything about Elvis, but people don’t know really that much about ABBA. That’s what we try to do. A lot of people don’t know that ABBA stands for the first letters in their name. So we tell the story, how they met, they were two married couples who just wanted to see if they could write some good music together. They couldn’t dream that ABBA could be this big. I think today even they’re still shocked by it – “Yea, we wrote a couple pop songs, there’s nothing special about that.” They’re typically Swedish, they don’t realize how big they are.
ARRIVAL is billed as the only authentic ABBA tribute band, and the fact that you have some of the original ABBA musicians playing with you really helps support that claim. VZ: Yeah, sometimes we have original musicians that worked with ABBA, they’re 65 years old today, so sometimes they can’t go on tour with us, but as often as we can, we have them with us.
Do they have some great stories to tell about ABBA’s heydey? VZ: I know a lot of stuff but it’s private. I know Bjorn and Benny and they don’t want us to talk about the private things. Benny supports us and said as long as you do it with respect and don’t talk about our private lives and that stuff. So it’s really important to me to respect that. If I knew anything I would never say it.
So the members of ABBA actually worked with you on creating ARRIVAL? VZ: Yes, I talk to Bjorn and Benny. I never met the girls. But I always check out everything with them, and they know everything about the show. It’s really important to them that we do it with respect. They were two married couples, they were together for 10 years, and ABBA cost them their marriages. I think they deserve some respect. I mean they were one of the biggest pop groups ever.
What do you think it is about the music of ABBA that has had such resonance with modern audiences. What is it about the music that just keeps on playing? VZ: It’s the way they wrote the songs. It’s happy music, people recognize themselves in the songs. Everyone has a favorite. Some people love Fernando, some people love Dancing Queen. They have done so many hit songs, almost 10 albums. It’s the music and it’s the quality, the same with The Beatles and Elvis, good songs. And people really get crazy at the concerts, dancing and screaming and going wild. ABBA’s music affects people.
It’s so true, everyone has their favorite ABBA song, even people who don’t know who ABBA are have a favorite ABBA song! So, what is yours? VZ: It’s really hard. I have so many favorites! Of course Dancing Queen is a fantastic song. I also have a lot of the more songs that are not famous. Kisses of Fire, Angel Eyes, I have like maybe 20 favorites. All the songs are so different. But Dancing Queen is of course is a masterpiece, it is really, really one of the best songs. I Wonder is one I really like to sing, most people don’t know it. It’s so fun because I tell the audience about the story of the song. It’s important to me to educate the audience about ABBA. I want people to know that ABBA was four people from Sweden and I want them to know their names.
After all the success you’ve had with ARRIVAL, have you ever thought about tracking down that that original Australian tribute band and thanking them for starting your career? VZ: Yes, really, I should thank them!
Details: The Music of ABBA: Arrival From Sweden arrives in Sun Valley at 7 p.m. on Sunday, July 7 at the Sun Valley Pavilion. Buy tickets here. This event is suitable for all ages, prices range from $25 to $65. Additionally, Intermezzo preferred seating tickets ($75) and Diva Tickets ($150, include a party on July 6th and valet parking) are available through the Sun Valley Opera or 208.726.0991.
Brian Regan will perform in the Sun Valley Pavilion, Friday, July 16, 2010 at 8:30pm
Tickets are $35, $45 & $55 On Sale Now at seats.sunvalley.com or call Sun Valley Recreation Center box office toll-free: 888-622-2108!
Critics and peers agree, Brian Regan has distinguished himself as one of the premier comedians in the country. The perfect balance of sophisticated writing and physicality, Brian fills theaters nationwide with fervent fans that span generations.
Brian’s non-stop theater tour has visited more than 80 cities each year since 2005 and continues into 2010. It is the quality of his material, relatable to a wide audience and revered by his peers, which continues to grow Brian’s fan base.
Strength, versatility and a spunky sense of adventure are qualities more often associated with literary heroines than successful country singers, but then there’s nothing typical about Sara Evans. Whether dominating country radio airwaves with one of her many hit singles or attracting a new legion of fans with her spirited turn on “Dancing with the Stars,” Evans’ drive, talent and determination have placed her in an elite class of artists who transcend musical genres to become a household name.
Indeed, Evans is on her way to becoming one of the most successful female artists of her generation–a compelling, heart-in-the-throat heir to Loretta Lynn and Tammy Wynette. She’s won numerous accolades, among them the Academy of Country Music’s Female Vocalist of the Year and the Country Music Association’s Video of the Year for “Born to Fly”. She was named 2006 Female Vocalist of the Year in the R&R Reader’s Poll and has been celebrated as one of People magazine’s “50 Most Beautiful People.”
Evans has earned numerous #1 hits, two of which she co-wrote, including “Born to Fly,” “No Place That Far,” “Suds In The Bucket” and “A Real Fine Place to Start,” which spent two weeks at the top of the country charts. Of the five albums Evans has released, her sophomore set, “No Place That Far,” has been certified gold; 2001′s “Born to Fly” is double-platinum and 2003′s “Restless” and 2005′s “Real Fine Place” are both platinum.
Sun Valley Resort Presents – Kenny Loggins Live, May 30, 2009 at 8:00 PM
There are certain welcoming voices in popular music that can be identified as soon as a song starts – they’re immediately familiar musical touchstones, inextricably part of our collective pop culture soundtrack. Singer-songwriter Kenny Loggins possesses such a voice, and for over three decades it’s been inviting listeners in to experience music that reaches the heart and the senses with disarming candor, authentic emotion and rich lyrical and melodic resonance. From Loggins & Messina classics like "Danny’s Song" to signature solo tracks including "Celebrate Me Home" and the GRAMMY-winning "This Is It," Kenny Loggins’ expansive body of work speaks volumes with its warmth and directness.
On his latest album, 2007′s How About Now, the 2X GRAMMY-winning superstar whose long career has traversed diverse styles on record and in film music – comes home to the soulful, roots-centric singer-songwriter tradition that first made him a household name. In speaking about his 2005 tour with Jim Messina, beautifully captured on the concert album Live: Sittin’ in Again at Santa Barbara Bowl, Loggins commented, "I went on the road with Jimmy, we finally did a reunion tour, about 40 shows. During that time I rediscovered a kind of music I was making as a kid that had acoustic guitar at the center. There was a certain level of joy and simplicity to my writing. Working with Jimmy reminded me of that, and I got to thinking, if I was making my half of a Loggins & Messina record today, what would it sound like? That’s what I aimed for."
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