The LA Times quote this performance as “The Best Beatles Show in The World.” On Saturday, July 5, make sure to head to the Pavilion for a night to remember. For tickets call 888.622.2108 or visit sunvalley.ticketfly.com or visit thefabfour.com
The LA Times quote this performance as “The Best Beatles Show in The World.” On Saturday, July 5, make sure to head to the Pavilion for a night to remember. For tickets call 888.622.2108 or visit sunvalley.ticketfly.com or visit thefabfour.com
The hills in Sun Valley are alive with late summer sounds of music. Even though the mad pace of high season has slowed down a bit, two amazing shows are coming to the Sun Valley Pavilion this week that should not be missed!
On Friday, high energy, country-based favorites, Reckless Kelly take to the stage at the Sun Valley Pavilion for a concert sure to get the audience on its feet. A limited number of tickets are still available by calling 208.622.2135 or by clicking HERE.
Then, on Thursday, September 12, the one and only Clint Black will perform an intimate, acoustic concert at the Pavilion, presenting a side of his vast talent that few get to see. Here, this award winning singer-songwriter will perform with only four other musicians, while in many venues, Black plays for audiences of thousands. In Sun Valley, you will see him up close and personal. The concert, sponsored by the Sun Valley Center for the Arts, promises to be a memorable one. Black is known for a classic, traditional country style. His debut album, Killin’ Time, produced four straight number one singles and the hits just kept coming. He will perform at 7 p.m.
Before ducking into the Pavilion to enjoy a pre-show glass of wine and conversation with friends new and old, be sure to spend some time in the Sun Valley Village getting the most of the late summer offerings. Sales at Village specialty shops are unbeatable in September. Both the elegant Brass Ranch and sporty Pete Lane’s are offering sportswear and ski wear at as much as 75 percent off. Logo apparel, holiday décor, gifts and wine and picnic essentials are discounted right now at the Sun Valley Signature Shop. The fashion forward ladies’ boutique, Panache, is also enticing shoppers with end-of-season prices. At Pete Lane’s, gear is also priced to sell with bikes, demos and rentals and bike apparel available. There are still weeks and weeks of fabulous weather ahead so if you have been considering buying a new bike, now is the time.
Be sure to also plan to enjoy a pre-concert dinner at one of the Sun Valley’s acclaimed restaurants. In Idaho, gardens are right now at their peak and menus are filled with and embarrassment of fresh vegetables and local delights. Just steps from the Pavilion, take a seat on the decks of the Bald Mountain Pizza and Pasta or Gretchen’s and soak up the early evening sun. Just up the road, Trail Creek Cabin provides a unique venue that is rustic yet sophisticated and very special. The signature Konditorei Restaurant will also be serving dinner until 9 p.m. beginning September 8.
Sun Valley Resort is offering special room rates the night of Clint Black’s performance. Shop, savor and soak up the sounds of this country music superstar before retiring to the Inn or the Lodge. Order a nightcap at the Duchin Room or the Ram Lounge before turning in for a restful night. No driving, no worries, just relaxation. The package includes one night’s lodging and two show tickets for $129 per person double occupancy. Call 800-786-8259 for reservations or click HERE for more information.
Early fall is in full swing in Sun Valley! Enjoy!
If you’re a hard-working musician whose been pounding the tarmac for decades you’d have every right to be a bit miffed with The Trishas, who play the Sun Valley Pavilion on Friday, September 6. The four raven-haired beauties, Jamie Wilson, Kelley Mickwee, Liz Foster and Savannah Welch, who comprise the Austin-based band had no intention of becoming a successful all-girl country music band. But one impromptu gig in Colorado changed their fate.
The quartet first shared a stage in January 2009. The plan was just to perform a couple of songs as a tribute to Savannah’s father, singer-songwriter Kevin Welch. Despite each having impressive musical chops - Memphis-reared Mickwee honed her talents in that town before becoming half of the duo Jed & Kelley; Wilson was a member of renowned Austin band The Gougers; and Foster performed on the Texas Opry circuit, spending seven years touring with a Motown revue before forming the duo Liz & Lincoln - a joint musical future wasn’t in the cards. They didn’t even have a name.
That night in Steamboat Springs, the girls so transfixed the audience with their close, four-part harmony that show offers quickly flooded in. Soon, they were talking about testing the waters with a real band. The name came about accidentally, it had popped into their head’s backstage at Steamboat Springs because they were covering a Welch-authored Trisha Yearwood hit.
A sneak peek at the treats The Trishas have in store for you when they open for local boys Reckless Kelly on September 6 at the Sun Valley Pavilion. (Video not displaying? Click here.)
It wasn’t long before the four-part harmonies and rootsy, bluesy, gospel- and bluegrass-inflected sound produced from the unique combination of the girls’ voices, Mickwee’s mandolin, Wilson’s guitar, Foster’s harmonica and Welch’s guitar, mandolin and percussion began nabbing the group opening-act gigs with the likes of Dwight Yoakam, Raul Malo, Rodney Crowell, the Nitty Gritty Dirt Band and Todd Snider.
Four years later and today The Trishas are being hailed by SavingCountryMusic.com as one of the 9 Women Who Could Immediately Make Country Better: “The Trishas score high on every one of the major music food groups. Class, character, creativity, four-part harmonies, fully-developed songwriting, and maybe most importantly, the fun atmosphere that can develop when you toss four talented ladies into a tight knit group. They are The Dixie Chicks for the new century, and the Pistol Annies for the rest of us.”
Since forming The Trishas, two band members have had another significant life change; both Wilson and Welch have reproduced. The band took the increase in size in its stride however, and the lucky tykes get to tour with The Trishas. “It’s not much different than any other women who’s having a career or working a job,” Welch said on the band’s website thetrishas.com. “The difference is actually that we get to bring them to work with us. We want to help each other be able to play music for a living and still have families. We’ll do what it takes.”
Watch the official music video for Drive, The Trishas’ first single. “We’re not as lonely, sad and as bitter as our songs make us seem,” Kelley Mickwee said in an interview with Uncommon Music last year. “We’re actually all very happy and in good relationships. We just like sad songs and drawing from negative experiences, what can we say! Sad songs say so much.” (Video not displaying? Click here.)
The Trishas, with tots in tow, open for fellow Austin, Texas-based band Reckless Kelly on Friday, September 6 at the Sun Valley Pavilion as part of The Governor’s Cup celebrations. Doors are 6:30 p.m., show starts at 7:30 p.m. Purchase tickets here.
For The Valley Sun’s interview with The Governor’s Cup headliners Reckless Kelly click here.
Cody and Willy Braun of Reckless Kelly, Idaho’s homegrown country music stars, play with their musical father and brothers on The Tonight show in 1993. The boys started their careers playing with the family band. Reckless Kelly come home to Sun Valley for one night only at the Sun Valley Pavilion, Friday, September 6. (Rewind the video to watch the whole interview).
Video not displaying? Click here.
Cody Braun’s lonely harmonica introduces the strains of the final track on Reckless Kelly’s newest album, Long Night Moon. “There’s a river tumbling down the mountainside,” sings Willy Braun, the band’s lead singer/songwriter. “I can feel the north wind blow, through the trees and over to the other side, carrying me down to the valley below, when I’m on the road, bound for home, back to what I know, back to Idaho.”
Described by Willy as an “accidental traveling album,” Long Night Moon leads the listener through the band’s 17-year journey as a successful country rock band. That journey started in the mountains of Idaho under the “snow-capped peaks where I was born,” and, if the lyrics of the new album are anything to go by, is one that will end in the mountains they call home.
“About halfway through writing this record, I noticed that almost all of the songs I was writing, whether they were songs about the road, life, or love, had something to do with traveling,” said Willy. “It started as an accident and I decided to just go with it. Before we knew it, there was a definite theme.”
Despite living full-time in Austin, Texas, Willy wrote a large part of the album on his property in Mackay, just north of Sun Valley. Consequently Idaho permeates the lyrics, sometimes to the detriment of their adopted city. “Sleepless nights where the stars above are drowned out by the city lights,” Willy sings in the album’s title track (catch a preview here.). “And I wonder why I keep torturing my soul beneath this urban sky. But in my mind I’ll be home soon, surrounded by the winter, beneath the long night moon.”
Reckless Kelly’s music has always stood out for its honesty and real connection to the lives of its artists. Willy writes what he knows, he writes from his experiences. These are not songs by committee, intricately designed to please an increasingly fickle mass-audience, this is Red Dirt country, distinctly different from the polished, commercialized sounds coming out of Nashville today. While this may explain why the band hasn’t hit it truly big – yet; it also explains why Reckless Kelly fans are so passionate about the music – it’s authentic.
In anticipation of Reckless Kelly’s gig at the Sun Valley Pavilion on September 6, I got a chance to chat with big brother and vocals/fiddle/mandolin/harmonica man, Cody Braun, about the new record, set for release September 3. The band’s 10th studio album, Long Night Moon was recorded at Cedar Creek Studios in Austin. An old farmhouse situated on 10 acres smack in the middle of South Austin, Cedar Creek provided the perfect setting for these country-boys turned city-dwellers to reflect on life, love, the open road and Facebook.
So there’s a song called Idaho on the album, there’s no hidden meaning in that one. It sounds like you are little homesick. Is there anything to that or does it just make for good lyrics?
“No, I think definitely we miss it – we talk about it all the time. Even though we’ve been in Texas for 17 years now we’ve always called Idaho home. We visit a lot. All of my brothers have places up there now, I’m the last one to break, but I figure if they all have places why do I need one?”
As a whole, the album has a more mellow country feel than some of your previous efforts, the traveling theme Willy talks about particularly lends to that atmosphere.
“This record really is a concept record, in that sense it’s about leaving home and getting out there a bit and then getting back home. It’s about the journey and everything in between. We spend so much time on the road – that’s our life – so that tends to take center stage in a lot of our music. It’s Willy writing about what he know and what’s going on in our lives at the time.”
Willy and Cody Braun, were both born in Sun Valley, along with their younger brothers Gary and Mickey, who have achieved considerable success with their own alt-county band Mickey and the Motorcars. The family grew up between Challis and Stanley in Custer County, spending much of their youth playing gigs with dad Muzzie Braun of Braun Brothers Fame, out at Sun Valley’s Trail Creek Cabin.
As soon as they were old enough, the two eldest brothers, Cody and Willy, took off to Oregon to start a band. After nine months in Bend they shifted paths, arriving in Austin in 1996 as a trio named Reckless Kelly. “We stole the name from Ned Kelly, an Australian bank robber,” Cody said. “‘They called him Reckless Kelly.’ We were in Oregon trying to figure out a name for the band and we were going to use that one for a couple shows and then find a really cool one. But it stuck.” Now known as an Oregon band they took the burgeoning Austin music scene by storm and today are considered a ‘true local success story’ in the city. But indisputably it’s Sun Valley that lays claim to the boys, after all they were born a few hundred feet away from where they will play next month, in the old Moritz Hospital, now staff housing for Sun Valley Resort.
Are you excited to be playing in the Sun Valley Pavilion?
“It’ll be the first time I’ve been to the Pavilion. I’ve seen it from the road, the first time I saw it I thought ‘Wow, what a neat venue.’ We’re really excited, it’s always fun to come home and play anywhere, but to get to play such a beautiful venue is going to be really fun. We’ve got a cool show worked up for this summer, with nine records to choose from we’ve got a ton of material.”
No question it will be a great show, Reckless Kelly’s reputation as the Real McCoy when it comes to performing on stage is well-earned and with this gig coming just 3 days after the release of the new album, the boys will be excited to show off the new tunes to a real hometown audience.
“We’re really exited about the new album, it was a really fun record to make, a lot of fun songs on it. It’s a little bit more mellow than some of the other records we’ve done in the past, but it’s got a lot of really cool vibes. I get to play some different stuff on it, including a tenor guitar – that was a lot of fun.”
Reckless Kelly has always been known for the honesty of its music, you clearly pour a lot of meaning and connection to your lives into your work. But with 2008′s Bulletproof, in particular American Blood, you dived head-first into the whole political/country music mele. It was a bit of a shock to some of your fans. How’d that go down?
“Yeah – we got a little bit of backlash from American Blood. But we got a lot more positive than negative. Pennsylvania Avenue [a get-the-vote-out single released in September 2012] was a real-middle of the road kind of thing, it wasn’t one side or the other. But we’ve never really been afraid to go out there and talk about it. I’m personally not super political, none of the guys are, but Willy gets to a point sometimes when he’s sick and tried of writing about love gone wrong and wants to write about what’s happening around us. With the war overseas going on for 15 or so years now it’s hard not to be influenced by that.”
Reckless Kelly’s 2012 Pennsylvania Avenue Music Video. (Video not displaying? Click here.)
2011 saw Reckless Kelly’s first Grammy nomination, for Album Art. That must’ve been really exciting for you guys.
“Yeah, that was awesome, and this record also has some really exciting art work. We got a bunch of surprises in store. A lot of stuff that ties the songs together with the art work. It’ll be fun to see people’s reactions to that.”
Can you give us some insight into what’s in store?
“Well, certain parts of the record artwork will be glow in the dark, you’ll get a little LED black light that comes with the packaging so you can see all of the different stuff that’s hidden in glow-in-the-dark ink. There are also some hidden messages throughout the packaging. We’ll be giving fans clues as to how to find those on our website.”
Does this inventiveness with the CD packaging come from an impetus to get people to buy the physical media rather than download the music? Reckless Kelly has been through the heart of the digital music revolution, is this part of how you’re navigating that monumental shift?
“Yeah, we’ve definitely embraced the digital thing, we’ve noticed that the digital sales have been up considerably. Every time we put out a record they go up 20 to 30%. Last year it was closer to 50%, so it’s definitely the new way people are getting music; you have to embrace it. But at the same time we’ve always really enjoyed making records that are a whole piece of art, art work included. It’s fun putting a whole record together and having it be interactive. We’re definitely kinda going crazy with this one, it’s going be really cool and I think people are going to like it.”
Another giant shift during your tenure in the ‘biz’ has been the advent of social media. As a brand, Reckless Kelly seems to have fully embraced social media, but as a songwriter it sounds like maybe Willy is not so keen. One track on Long Night Mooon is called Be My Friend (In Real Life), and takes a direct hit at the current Facebook and smartphone obsession. Do you all have iPhones? Is Willy always telling you to put them down?
“We don’t leave home without them, we’re just as stuck as everybody else! That’s definitely my favorite song on the record, I think it’s a fun message, more of a reminder to people to just put it down. If you’re having dinner with your friends just have a conversation instead of checking whatever it is every 5 minutes. Again, it’s just what’s going on around us right now, it’s a fun tongue-in-cheek little song.”
Are you personally on social media? Do you do the whole Twitter and Facebook thing?
“I do Facebook and Instagram, those are my two main deals. I have a Twitter account but I can never remember the password, and then when I do get on it’s like, I just had a cheeseburger, big deal. I can’t imagine anybody wanting to follow me through my daily routine.”
You’d be surprised… It’s amazing what people will gobble up. But social media has had a positive impact for the band?
“Absolutely. It’s been wonderful. It’s a full-time job just updating and keeping up with everything. But we started our own label a couple years ago and as far as promoting the band you can do so much on your own now. You can get the word out that you have a new album or tour without spending any money. That was impossible years ago, we used to collect addresses from people and mail postcards. It’s a bummer that Facebook changed the way they’re doing stuff though, now they charge to reach all your fans so it’s not as effective as it used to be for us. We’ve got 160,000 followers, so for us to pay for an entire blast would be $10,000 or something stupid, it’s really crazy.”
The 2011 album Good Luck & True Love was the first release on your new label, No Big Deal Records, and you’re now self-managed. What was the impetus for such a big change?
“This last record is our 10th and we just got to a point where we were at the end of a record deal. Instead of re-signing we sat down and talked about starting our own label; what it would entail, how much extra work it would be – it’s been quite a lot. The last record was a real learning curve, this one was easier on a lot of different fronts. It’s great, we’ve loved every second of it. We’ve learned a lot and we have total control, we don’t have to run anything by anybody or talk anybody into what we want to do. If you were to try and talk a label into the packaging we want to do on this record it would have been like pulling teeth. On the cover it says Reckless Kelly, but it doesn’t have the title of the record until you shine the light on it. No way would a record company have let us do that. And then when you have management that’s three other people you have to email and include and get their opinion. At the end of the day we’re going to do what we want to do anyway.”
It sounds like the move was less about reinvention and more about sticking to your roots. But there’s been a huge shift in the country genre since you first broke onto the scene, and mainstream country music is enjoying an unprecedented heyday. Where do you see Reckless Kelly fitting into today’s music scene?
“I think we’re just going to keep doing what we’re doing, keep trying to build our fan base, doing the shows, touring the country, making records that we’re happy with, that we’re proud of and that hopefully people like. I don’t really see us trying to fit in with the Jason Aldeans and the Taylor Swifts at this point, we’re still quite a ways off from what they’re doing. We’ve done quite a few shows with country artists and the crowd just kind of looks at us and says ‘What’s going on? This ‘aint country music?!’ The country fans tend to not get it most of the time. But there are a lot of people out there that really like this music and the Americana genre. Another great thing about social media is that people looking for our style of music can find it a lot easier; find it, check it out and download it.”
Clearly, Reckless Kelly are more than comfortable in their own skin, happy being real artists rather than commercially manufactured superstars. But in today’s music industry where the fans quickly ferret out any whiff of inauthenticity and have a real voice in the conversation, it’s no stretch to predict that maybe, just maybe, there’s superstardom in their future.
“We just carry on and enjoy what we’re doing, we’re really luck to get to play exactly what we want to play and set our own schedule. There’s not a lot of people that get to do what they love to do and do it totally on their own terms. If we can just keep building up a fan base and making a living doing what we’re doing then we’re going to be pretty happy.”
And so will their fans.
Details: Reckless Kelly take to the stage at the Sun Valley Pavilion on Friday, September 6. Doors open at 6.30 p.m. Show starts at 7:30 p.m. The band will be supported by The Trishas. Buy tickets here, priced $35 to $55.
Listen carefully and you will hear the telltale signs of the season – the slight creak of wicker picnic baskets settling with gourmet treats and a fine bottle of wine; the hiss of steam as hot iron meets linen; the sticky sound of rosin on a violin bow. If you haven’t already guessed, the season is Symphony Season, that glorious time of the year that began to unfurl its many delights Sunday night at the Sun Valley Pavilion.
The Sun Valley Summer Symphony brings together the finest musicians anywhere and invites patrons, free of charge, to find a seat under the Pavilion sail or on the vast lawn for a dose of cultural enjoyment that lasts the whole year through. This is the largest privately funded free symphony in America and 2013 marks its 29th magical summer in the Wood River Valley.
Sunday’s concert, held on what was arguably the most beautiful night of the summer to date, was a part of the Edgar M. Bronfman In Focus Series that precedes the regular concert season. Featuring members of the Sun Valley Summer Symphony including Maestro Alasdair Neale as Host and Conductor, Teddy Abrams as Host and Conductor, Nicholas Phan, Tenor and Gretchen Van Hoesen, Harp, the series, themed “The Sacred and the Profane: Spirituality Across the Globe and the Ages,” commenced with a performance of Ives’ The Unanswered Question. The In Focus Series continues July 29, July 31 and August 2 at 6 p.m.
Setting the stage for the inaugural evening and the weeks to come was Maestro Alasdair Neale who has led the Sun Valley Summer Symphony since 1995. Under his magic baton, the orchestra has grown to more than 100 players that present free concerts to more than 50,000 people annually. Maestro Neale’s orchestra includes distinguished and accomplished musicians from throughout North America including the San Francisco Symphony, the Pittsburgh Symphony, the New York Philharmonic, the Houston Symphony, the Toronto Symphony and the St. Louis Symphony.
Throughout the years, the Sun Valley Summer Symphony has attracted internationally acclaimed guest artists and ensembles including Itzhak Perlman, Emanuel Ax, Joshua Bell, Brian Stokes Mitchell, the Mormon Tabernacle Choir, Jon Kimura Parker, Bernadette Peters, Frederica von Stade, Jean-Yves Thibaudet, Yuja Wang and many others. This year, the world-famous violinist Midori will appear as a guest artist on August 4. Other musicians, dancers, conductors and narrators will also grace the Pavilion stage this season in the role of guest artist.
In keeping with its mission, the Sun Valley Summer Symphony offers a variety of education programs for music students of all ages including the School of Music, now in its 14th year, and the Summer Music Workshops, in its 16th year. Upbeat With Alasdair talks given throughout the year and Concert Preview talks given during the symphony season help to educate music lovers of all ages.
The Orchestra festival begins on Sunday, August 4, at 6:30 p.m. and features Midori on the violin. Seating is available on a first-come, first-served basis inside the Pavilion. For those on the lawn, a 14 x 25-foot LED screen shows all Orchestra festival concerts from August 4 – August 20. Low back chairs and picnics are welcome on the lawn. New this year, there will be a kids’ music tent at every evening orchestra concert. For all the protocol of concert going, please click HERE.
If you are in Sun Valley during August, be sure to include the Summer Symphony in your schedule. Call ahead to the Short Line Deli in the Sun Valley Village and have them create a gourmet picnic for you, including wine if you so desire. Then find a spot on the lawn, close your eyes and prepare to be transported. There is something about live classical music in the mountains that you simply can’t replicate — a wonderful one-of-a-kind way to enjoy the best of Sun Valley.
Anyone who has attended a world-famous Sun Valley on Ice show in the past few years knows that ice dancers Kim Navarro and Brent Bommentre and cast member (and skating aerialist) Joel Dear have talent. And they have it in spades. Now the rest of the country will know it, too, as our three skaters, along with aerialist Angela Kim and professional pairs skaters Tosha Hanford and Chris Trefil electrify the country with “Aerial Ice.” During tryouts in Los Angeles, Aerial Ice debuted on America’s Got Talent to a standing ovation from the judges and audience alike. America’s Got Talent, or AGT for short, is one of the most popular programs on television. Each season, AGT invites singers, dancers, magicians and acts of any and all persuasions to compete to win a cool $1 million prize.
Until this year, AGT had never had a skating act. Now they have one no one will ever forget. Aerial Ice, led by artistic director Jill Schulz, received a unanimous “yes” vote from judges Howard Stern, Heidi Klum, Mel B. and Howie Mandel to move through to the second phase of the competition in Las Vegas. Klum said the act was “nerve wracking, it was exciting, it was dangerous, it was spectacular. I loved it!” Click here to see the audition performance.
Skating to Krewella’s hit song “Alive,” the troupe performed on a large sheet of synthetic ice while Joel and Angela “flew” above the stage, performing beautiful choreography on dramatic “silks” that hung from the ceiling. During the audition it was hard to know where to look — every member of the group was so, well, talented.
During the Las Vegas week on AGT, the six skaters appeared onstage before the judges unsure of their fate as one-third of the acts that made it through the first round were sent home, one-third had to audition again and one-third were told they were going directly through to the big show – the stage at New York’s Radio City Music Hall. Aerial Ice heard those magic word, “We’ll see you in New York!” — one of 60 acts to make the finals. For the next few weeks about 12 acts will perform live during each episode that airs on NBC Tuesday and Wednesday nights. Aerial Ice was not at liberty to reveal the date of their performance, so we will all just have to stay tuned!
This week, however, the six performers have been practicing right in our backyard, in what Brent calls the “most beautiful rehearsal space in the world.” With Sun Valley’s support, Aerial Ice took over the stage at the Sun Valley Pavilion, working for eight hours a day on the program that will bring New York to its feet. A huge sheet of plastic ice dominated the Pavilion stage and technical experts rigged silks and other flying apparatuses from the rafters. The entire team, that also includes highly accomplished skaters Karen Kresge and Lisa Navarro, and everyone else that helps make the magic happen, came to Sun Valley.
During long days of Aerial Ice rehearsals, Kim, Brent and Joel still found the time to walk a few hundred yards to the Sun Valley skating rinks to give a lesson or rehearse for this week’s highly anticipated Sun Valley on Ice show featuring Olympic Gold Medalist Evan Lysacek.
For Kim, the support of the skating community for Aerial Ice has been amazing. “So many accomplished skaters are on board, Tweeting about Aerial Ice and sharing their enthusiasm,” she said. Her ultimate goal with this project is to increase viewership of the sport and this evolving genre that is so beautiful and that she is so passionate about — to connect with the audience in a whole new way.
Be sure to buy tickets to Sun Valley on Ice to see all this talent for yourself, as well as the rest of the supremely wonderful, entertaining cast. Then, tune into AGT, call in your vote for Aerial Ice and cheer on the home team!
Congratulations to Brent, Joel and Kim for taking Aerial Ice all the way to New York! Stay tuned to this blog for updates on their progress.
A gorgeous summer night Sunday night saw a sell-out crowd at the Sun Valley Pavilion, all there to dance, tap their feet and sing along to the music of ABBA as performed by Arrival. Billed as the “Greatest ABBA Show Ever,” Arrival did not disappoint, playing all of the legendary group’s biggest hits well into the night. It was a time warp of the most entertaining kind — they looked like ABBA, they sounded like ABBA, they dressed like ABBA, for all intents and purposes, they were ABBA.
Sweden’s Arrival is the only group sanctioned by ABBA to perform their music and has played to rave reviews throughout the world. As they worked through hits like “Honey, Honey,” “Take a Chance on Me,” “Gimme, Gimme, Gimme,” “The Winner Takes it All,” and the band’s other universally known and loved songs, audience members inside the Pavilion were compelled to get up and dance. Once the playlist got to “Mama Mia,” and “Dancing Queen,” no one remained in their seats. The huge crowd on the Pavilion lawn was also on their feet and privy to all the action on stage via a Jumbotron monitor.
Fronted by lead singers dressed in gold go-go boots and 70s-inspired white dresses, made under license from ABBA’s original designer, the large Arrival band, complete with sequined back-up singers and a male keyboardist sporting high-heeled silver boots, was backed by the American Festival Chorus and Orchestra. The 270-member Salt Lake City-based ensemble lent an incredible depth and richness to the sound of the production under the artistic direction of conductor Dr. Craig Jessop. A heartfelt tribute to Sun Valley Resort owners Earl and Carol Holding was given at the beginning of the evening. Mr. Holding passed away in April and in his honor, the orchestra played a few of his favorite songs, accompanied by the chorus’ spectacular voices. The event was sponsored by the Sun Valley Opera and truly offered something for every age.
The long Fourth of July weekend proved a big music weekend in the Wood River Valley as the MASSV Music Festival also played Friday and Saturday. Bringing art, live music, laser light shows, great truck food and some pretty creative costumes along for the ride, the festival was a spectacle for the senses.
There is nothing like enjoying live music on a Sun Valley summer evening. There are many great upcoming events at the Pavilion (including the Sun Valley Summer Symphony season) and at the base of River Run. Be sure to get out there. These are nights you’ll never forget!
Sun Valley Pavilion
Tier 3: $40 members / $50 non Tier 2: $60 members / $70 non Tier 1: $55 members / $65 non Premium: $100 members / $110 non
Clint Black is country music singer-songwriter, record producer, multi-instrumentalist and occasional actor. Signed to RCA Records in 1989, Black made his debut with hisKillin’ Time album, which produced four straight number one singles on the USBillboard Hot Country Singles & Tracks charts. In addition to his number one singles, he’s amassed more than 30 singles on the Billboard charts.
Known for his more classic, traditional country style, Black was strongly influenced by Waylon Jennings, Willie Nelson and Merle Haggard. In his performance in Sun Valley, Black will perform an intimate show – with just four musicians on stage.
Tickets go on sale Monday, July 1 at 10am.
It is a truth universally acknowledged that for a woman of almost any age, the piano riff at the beginning of Dancing Queen brings on an irresistible urge to become just that. And on Sunday, July 7, the Sun Valley Pavillion will be packed with dancing queens, jiving along to the timeless tunes of ABBA.
A night with The Music of ABBA: Arrival From Sweden is the closest any woman will ever get to an authentic ABBA concert; the original band dissolved in 1982, and only toured the USA once. But the infectious beats of the fab foursome are deeply embedded into the country’s pop culture, and this authentic tribute band are helping keep the music alive.
Creators of such enduring hits as Knowing Me, Knowing You, The Winner Takes It All, Mama Mia and Waterloo, ABBA was made up of two couples from Sweden, Agnetha Fältskog, Björn Ulvaeus, Benny Andersson and Anni-Frid Lyngstad. Formed in 1972, the group is one of the best-selling music artists of all time, having sold over 370 million albums and singles worldwide. In the mid-nineties their music saw a resurgence, thanks to hit movies such as Muriel’s Wedding and Priscilla Queen of the Desert, and combined with the debut of Mama Mia the Musical (today the 10th longest running broadway show in history), a slew of ABBA tribute bands were born.
In 1995, Vicky Zetterberg saw one of those bands in her hometown of Gothenburg, Sweden. “They were from Australia” she said. “They were awful.” Having seen the real thing herself, 5 times, she determined to start her own tribute band and do it right. “I said, ‘Oh, my God, this is crazy. You can’t do ABBA like that, with fake Swedish accents,” she said in her thick, authentic Swedish accent. “And I decided to do a proper ABBA show.”
A professional singer, Zetterberg reached out to original band members Bjorn and Benny, as well as working with ABBA’s costumier Owe Sandstrom, to create the perfect tribute band. Eighteen years later, ARRIVAL has become a world-famous musical act, touring in over 35 countries to consistently sold out crowds.
Zetterberg, with her mane of brown hair, assumes the role of “Anni-Frid” and Jeanette Norlander is “Agnetha,” while Fredik Bjorns is “Bjorn” and Leif Olsson is “Benny.” The group also regularly tours with several of ABBA’s original musicians and wears ABBA costumes specially created by Sandstrom for ARRIVAL.
Had you always been a hardcore ABBA fan or was this more of an opportunity that you decided to seize?
Vicky Zetterberg: I’d admired the way they did the music and I admired the way they sung. I’m a singer, my mother was an opera singer, and I’ve always admired ABBA. It’s a special technique they use, one which is really hard to do.
Was your mother an inspiration for your career as a singer?
VZ: She wanted me to sing opera, but I wasn’t really interested in it. Actually, I wanted to be a hard rock singer. I went to show school in Gothenburg and my teacher said ‘No, no. You will never be a hard rock singer. You’re a typical ABBA singer. He was right.
What can the Sun Valley audience expect from the concert?
VZ: We don’t go on and think that we are ABBA. We talk about ABBA, but when we’re doing the songs we try to recreate ABBA. We have the same look, the clothes we have are exact copies of the original outfits ABBA wore. ABBA was 50 percent music, but it was also the show and the clothes, it was the whole package. We also tell the story of ABBA, so they get a real ABBA injection. We want to show the new generation how ABBA was. You know everything about The Beatles, you know everything about Elvis, but people don’t know really that much about ABBA. That’s what we try to do. A lot of people don’t know that ABBA stands for the first letters in their name. So we tell the story, how they met, they were two married couples who just wanted to see if they could write some good music together. They couldn’t dream that ABBA could be this big. I think today even they’re still shocked by it – “Yea, we wrote a couple pop songs, there’s nothing special about that.” They’re typically Swedish, they don’t realize how big they are.
ARRIVAL is billed as the only authentic ABBA tribute band, and the fact that you have some of the original ABBA musicians playing with you really helps support that claim.
VZ: Yeah, sometimes we have original musicians that worked with ABBA, they’re 65 years old today, so sometimes they can’t go on tour with us, but as often as we can, we have them with us.
Do they have some great stories to tell about ABBA’s heydey?
VZ: I know a lot of stuff but it’s private. I know Bjorn and Benny and they don’t want us to talk about the private things. Benny supports us and said as long as you do it with respect and don’t talk about our private lives and that stuff. So it’s really important to me to respect that. If I knew anything I would never say it.
So the members of ABBA actually worked with you on creating ARRIVAL?
VZ: Yes, I talk to Bjorn and Benny. I never met the girls. But I always check out everything with them, and they know everything about the show. It’s really important to them that we do it with respect. They were two married couples, they were together for 10 years, and ABBA cost them their marriages. I think they deserve some respect. I mean they were one of the biggest pop groups ever.
What do you think it is about the music of ABBA that has had such resonance with modern audiences. What is it about the music that just keeps on playing?
VZ: It’s the way they wrote the songs. It’s happy music, people recognize themselves in the songs. Everyone has a favorite. Some people love Fernando, some people love Dancing Queen. They have done so many hit songs, almost 10 albums. It’s the music and it’s the quality, the same with The Beatles and Elvis, good songs. And people really get crazy at the concerts, dancing and screaming and going wild. ABBA’s music affects people.
It’s so true, everyone has their favorite ABBA song, even people who don’t know who ABBA are have a favorite ABBA song! So, what is yours?
VZ: It’s really hard. I have so many favorites! Of course Dancing Queen is a fantastic song. I also have a lot of the more songs that are not famous. Kisses of Fire, Angel Eyes, I have like maybe 20 favorites. All the songs are so different. But Dancing Queen is of course is a masterpiece, it is really, really one of the best songs. I Wonder is one I really like to sing, most people don’t know it. It’s so fun because I tell the audience about the story of the song. It’s important to me to educate the audience about ABBA. I want people to know that ABBA was four people from Sweden and I want them to know their names.
After all the success you’ve had with ARRIVAL, have you ever thought about tracking down that that original Australian tribute band and thanking them for starting your career?
VZ: Yes, really, I should thank them!
Details: The Music of ABBA: Arrival From Sweden arrives in Sun Valley at 7 p.m. on Sunday, July 7 at the Sun Valley Pavilion. Buy tickets here. This event is suitable for all ages, prices range from $25 to $65. Additionally, Intermezzo preferred seating tickets ($75) and Diva Tickets ($150, include a party on July 6th and valet parking) are available through the Sun Valley Opera or 208.726.0991.